ANALYSIS OF 108 ARTICLES ON THE OTHER SIDE OF THE FOURTH DIMENSION AND THE LAW OF THE FULCRUM BY AUTHOR PHẠM HÙNG SƠN Through the Lens of Hồng Bàng Dịch and the Mission of Đức Di Lạc.
ARTICLE 21: THE TRAGIC MELODY OF MUSIC AND THE SECRET OF
DAO CẦM. The Symphony of Heavenly Dao.
PREFACE.
Great sound is soundless. Great Dao is wordless. Great
Virtue is selfless. Dao Cầm is melodiless. Only those with affinity can hear.
Someone asked: “When did the first sound of music of
humanity arise?” I remained silent. I raised my head and looked toward the
North. There, the Big Dipper still quietly hangs in the sky from the dawn of
time. No star added. No star missing.
A very long time later, I softly said: “The first sound of
the zither… did not begin from the strings. Nor did it begin from the hands. It
began from a moment of silence.”
That silence existed before the wind, before the clouds,
before the light, before time itself. When heaven was not yet called heaven,
earth was not yet called earth, the stars had not yet been positioned, and
yin-yang had not yet been named. In that boundless realm of profound stillness,
there was only one invisible rhythm of operation, neither born nor perishing.
No one played that rhythm. No one heard it. No one named it.
Yet it was precisely that soundless rhythm that caused the galaxies to move,
the sun and moon to cycle, the four seasons to alternate, and all things to
arise and fade. That is the Music of Heaven. The wordless symphony of Creation.
From the Music of Heaven arose the laws of sound. From the
laws of sound arose Heaven and Earth. From Heaven and Earth arose all things.
Only much later… did humans appear.
Humans learned the songs of birds to create odes, learned
the sounds of streams to create melodies, learned the sounds of wind to create
music, and then thought they had created music themselves. Little did they know
that all human melodies are merely small echoes of the symphony that has
resounded since before the sun existed.
Therefore, one who knows how to play the zither does not
necessarily know music. One who knows music does not necessarily know the Dao.
Only one who can hear the silence between two notes… can touch the gate of
Heavenly Sound.
This article is not about art. Nor is it a discussion of
musical laws. It only follows the very ancient footprints of Dao Cầm –
footprints so old that history no longer remembers them, and mythology only
retains a faint shadow.
Seeking Dao Cầm is in fact seeking the primordial voice of
Heavenly Dao. Seeking the first Fulcrum of the universe. Seeking the silence
that gave birth to all sounds. It is also seeking one’s true self – before the
mind still held the notion called “I.”
Dear readers, please do not read hastily with your eyes.
Read with stillness. Do not listen with your ears. Listen with the emptiness
between one breath.
If you have the affinity, perhaps when you close the final
page, you will no longer hear the sound of Dao Cầm. Because at that moment,
your own heart will have become a Dao Cầm.
FIRST MOVEMENT: SOUNDLESSNESS.
There are sounds that cannot be heard with the ears. There
are pieces of music that only appear in stillness.
At that time… there was no day, no night. No East for the
sun to rise, no West for the sun to set. No time. No space. No above or below.
No birth or death.
In that infinity, there was no chaos as humans imagine.
There was only a stillness so profound that even the word “still” had not yet
received a name.
It was precisely within that soundless realm that there was
a rhythm. So light it did not stir a single speck of dust. So deep it embraced
the entire void. So even that billions of years later, every star still follows
it.
That was not the sound of a zither. That was the Dao
resonating by itself.
The Dao does not speak, yet all things hear. The Dao does
not sing, yet the sun and moon harmonize. The Dao does not command, yet the
four seasons have never missed their appointment.
A very gentle vibration. The rhythm gave birth to laws. Laws
gave birth to numbers. Numbers gave birth to forms. Forms gave birth to images.
Images gave birth to energy. Energy gave birth to the stars.
Then… very much later… humans were born. Humans arrived
last, yet thought they were the center of the universe.
From that silence, Dao Cầm was born. Not to produce sound,
but to remind humans that they once belonged to that silence.
Each string of the zither does not connect to the
soundboard, but to a layer of heaven. Each pluck does not touch the air, but
touches the very distant memory of life.
People think they are listening to the sound of the zither.
In reality, they are listening to themselves – from before they were born.
SECOND MOVEMENT: DAO TRÌ.
Trees do not know how to speak. But wood knows how to
remember.
If there is a place where the wind carries no dust of the
mortal world, water is untainted by mud, and clouds carry no rain or storm,
then that place is Dao Trì – the Jade Lake on Mount Kunlun.
Dao Trì does not lie in the East or the West, nor does it
belong to the distances of the human world. It is a sacred realm of the
immortal world, a symbol of absolute purity and eternal life. Here there are
clear jade springs, the Garden of Peaches of Immortality that ripens once every
three thousand years, and landscapes without a single speck of mortal dust. Dao
Trì only appears to souls that still retain their original clarity, untouched
by the dust of life. One does not reach Dao Trì by mortal footsteps, but by
sinking deeply into the heart.
In the midst of Dao Trì, where the Queen Mother of the West
– Dao Trì Kim Mẫu – reigns, stands an ancient Red Pine tree. She is the supreme
goddess of the Western Immortal Realm, symbolizing gentle nurturing Yin and
enduring power. The tree is so ancient that no one remembers when it first
grew. Its trunk is neither towering to the sky nor lush with display, yet it
emanates a profound, eternal tranquility that even the Immortals must respect.
Every thousand years, the trunk thickens by only one ring.
Not because it grows slowly, but because it is listening. It listens to the
turning rhythm of the Big Dipper – the stellar homeland of humanity, listens to
the breath of Heaven and Earth, listens to the most subtle vibrations of
Heavenly Dao.
Each ring of wood does not record the tree’s age, but
records a cycle of the universe. Each grain of wood is an invisible channel
that preserves the memories of the stars, of winds and clouds, of the
primordial silence before heaven and earth took form.
No one dared to cut the tree. Not out of fear of the Queen
Mother of the West’s authority, but out of deep reverence. Anything that
carries Heavenly Dao within itself does not belong to anyone’s possession –
whether Immortal or God. The Queen Mother of the West is only its guardian, not
its owner.
Once, an Immortal asked: “Why not use the Red Pine to make
more zithers?” The Queen Mother of the West smiled without answering. She only
gently touched the trunk of the tree. In that instant, all of Dao Trì fell into
absolute silence. No sound of flowing water, no birdsong, no whispering wind.
Only one very gentle rhythm remained – the rhythm that had existed before
heaven and earth took form.
At that moment, all the Immortals silently bowed their
heads. They understood: Dao Cầm is not precious because of the valuable wood,
but because that wood still retains the first breath of the Dao.
The Creator only took a very small section from the trunk.
Not out of stinginess, but because one section was already enough to contain
the entire sky. Just as a drop of dew can reflect the full moon, a single seed
can carry an entire green forest.
That sacred Red Pine wood was no longer material in the
mortal sense. It became a living environment, a living memory of the universe.
Each grain of wood was like an invisible string connecting the human world to
the Immortal Realm; each annual ring was a door leading back to the primordial
rhythm of the Big Dipper and the Hồng Bàng origin.
From that sacred piece of wood, Dao Cầm was born.
Not to beautify life, not to satisfy romantic pleasures, but
for one purpose only: To bring the Music of Heaven closer to the human heart.
THIRD MOVEMENT: THE BIG DIPPER.
Stars do not shine. Stars are singing.
The Big Dipper is not only the constellation that has guided
sailors and travelers for ages.
According to the transmission within the Mission of Đức Di Lạc
that Teacher Phương has revealed, the Big Dipper is the ancient homeland of
humanity. It is the origin of life, the stellar ancestral home of the
descendants of Hồng Bàng. From that far northern place, the first seeds of
souls flew to the earthly realm, carrying the primordial rhythm of the
universe.
The seven stars quietly hang in the extreme north, not
competing in brightness with the sun and moon, nor showing off with the galaxy.
They do not merely shine – they are singing.
In the Tiêu – Dao – Du system of the Big Dipper: One star
emits a call – becoming Tiêu Khúc, opening countless movements. One star
responds – becoming Dao Cầm, harmonizing the flow of creation. The silence
between the two stars – that is Du, the Central Harmony, the Supreme Fulcrum to
which all things return.
From that rhythm, all things know how to move, stars know
how to cycle, the four seasons know how to alternate, and all species know
birth and death.
The Creator listened for a very long time. He was not hasty.
He allowed each rhythm of the Big Dipper – the ancient homeland of humanity –
to deeply permeate every fiber of the Red Pine wood on Dao Trì. Each stellar
rhythm was a stream of ancestral memory; each vibration was a reminder of the
origin.
Only when the wood had completely merged with Heavenly Sound
did the Creator place his hand. He did not create. He only received.
One night, the seven stars of the Big Dipper simultaneously
shone down upon Dao Trì. The pure light carried no mortal dust, only the call
from the distant homeland.
When dawn just broke, beside the Red Pine appeared a zither.
Simple as a branch freshly cut from the forest, without carved patterns or
inlaid jade and pearls.
But when the Creator gently touched the strings, the
fourth-dimensional space trembled softly. No sound rang out in the human world,
yet the entire Big Dipper… smiled.
At that moment, Dao Cầm was no longer merely a musical
instrument. It was the string connecting the human world to the stellar
homeland. It was the echo from the Hồng Bàng origin. It was the reminder that
no matter how far one travels, humans still carry within themselves the rhythm
of the Big Dipper.
FOURTH MOVEMENT: TRUE APPRECIATOR.
One who understands the sound of the zither does not
necessarily understand the silence.
Bó Ya and Zi Qi were rare true appreciators in human
history.
It is said that when Bó Ya played the zither by the river,
Zi Qi listened and immediately said: “The sound of the zither soars high like
Mount Tai.” Bó Ya switched to another piece, and Zi Qi praised: “The sound of
the zither is vast like the Yangtze River.” He heard mountains and knew great
aspiration, heard water and knew deep heart. One sound of the zither, one
glance – two souls found each other among millions.
That was the most beautiful and precious encounter between
two human souls – true appreciation and true friendship. Bó Ya played for Zi
Qi, Zi Qi listened for Bó Ya. When Zi Qi passed away, Bó Ya, in grief, broke
his zither and swore that no one else in the world was worthy for him to play
for again. That story has become an immortal symbol of profound empathy between
humans.
But before Dao Cầm, that true appreciation still has a very
large gap.
Zi Qi listened with the human heart – with emotion, with
imagination, with the vibrations of flesh and blood. He understood Bó Ya’s
aspirations, feelings, joys and sorrows. That was the true appreciation of
Human Music.
Dao Cầm, however, sounds according to the laws of heaven and
earth – with the primordial frequency of the Big Dipper, with the soundless
rhythm of Heavenly Dao. It does not tell human stories, has no sorrow, no
resentment, no heroism. It only quietly operates according to the laws of
Heaven and Earth.
One side is the overflowing emotions of the human world. The
other side is the absolute stillness of the Immortal Realm.
An Immortal asked the Creator: “How many true appreciators
of Dao Cầm are there in heaven?” The Creator did not answer. He only gently
looked toward Tiêu Sương – the legendary Divine Horse that once traveled with
King Mu of Zhou to Dao Trì.
The Divine Horse was lowering its head by the stream,
quietly chewing a handful of grass and drinking each sip of clear water. It did
not compete, was not hasty, and did not wait for praise. It simply lived
according to its true nature, in accordance with Heavenly Dao.
The Creator smiled and said softly: “Watch.”
Tiêu Sương had never learned the zither, nor known music.
But it knew how to lower its head before flowing water, knew gratitude for
young grass, knew when to stop while the grass was still green, knew when to
run when heaven and earth called. Every step it took harmonized with the rhythm
of the Big Dipper.
When the Immortals used divine powers, magic, and authority
to subdue it, Tiêu Sương still neighed loudly to the sky, refusing to submit.
Only when it met a sincere, desireless heart – with just a bucket of water and
a handful of grass – did the Divine Horse willingly bow its head.
A being that lives according to the Dao is already a
complete piece of music. Without needing strings, without needing fingers,
without needing human appreciation.
Bó Ya and Zi Qi were true appreciators of each other – noble
in the human realm. But Tiêu Sương is the true appreciator of Dao Cầm – because
it did not listen with the ears, but with Virtue.
FIFTH MOVEMENT: GUANGLING.
The final melody of humans. Still not the Music of Heaven.
Guangling Tan is the pinnacle of human music. A melody of
moral integrity, of a scholar who dared to take death to preserve his
character.
Each note carries indignation, each phrase is steeped in the
grievances of the human world. It moves people’s hearts and awakens conscience.
But Dao Cầm does not tell human stories. It has no sorrow.
No heroism. No resentment.
It only quietly raises the operating rhythm of Heaven and
Earth.
Guangling makes people shed tears. Dao Cầm makes people
forget themselves.
One piece of music entered history. One piece of music
merged into eternity.
Guangling Tan is the pinnacle of human music, the final cry
of a principled scholar. It was born from blood and tears, from thousands of
years of grievances, from the spirit of a person who dared to take death to
preserve character before tyrannical power. Each note is an accusation, each
pluck is a sky-high indignation. It moves people’s hearts, awakens conscience,
makes listeners shed tears, and makes history remember. Guangling Tan belongs
to the human world – full of emotion, full of resentment, full of the desire to
change people’s hearts and confront injustice.
Dao Cầm is completely different.
Dao Cầm does not tell human stories. It has no sorrow, no
heroism, no resentment, nor does it wish to change anyone. It only quietly
operates according to the laws of Heavenly Dao. Its sound does not come from a
heart of flesh and blood, but from the primordial rhythm of the Big Dipper,
from Red Pine wood that has absorbed the spiritual energy of Dao Trì for
thousands of years. When Dao Cầm sounds, the fourth-dimensional space is gently
vibrated; accumulated grievances of thousands of years are not suppressed by
force or pleas, but naturally dissolve in the absolute vibrating frequency of
Truth and Central Harmony.
One side is Human Music – passionate, tragic, full of drama.
The other side is Heavenly Music – still, selfless, transcending all joy,
anger, sorrow, and happiness.
Guangling Tan makes people shed tears through empathy with
the pain of the human world. Dao Cầm makes people forget themselves and
dissolve into the primordial silence of the universe.
That is not only the difference between two pieces of music,
but the distance between one who seeks the Dao and one who practices the Dao,
between the ego still full of grievances and the Central Fulcrum that has
merged with Heavenly Dao.
Guangling Tan is the pinnacle of the human realm. Dao Cầm is
the remaining trace of the Immortal Realm amidst the mortal world.
SIXTH MOVEMENT: THE CREATOR.
The Creator does not play the zither. The universe resonates
by itself.
The Creator crafted Dao Cầm, but He never once played it.
He only placed the zither between heaven and earth, then
quietly withdrew. Because He knew: the best music does not come from skillful
hands, but from the universe resonating by itself. Dao Cầm is not a tool for
humans to showcase talent, not for competing in romantic circles, and certainly
not for satisfying fleeting pleasures.
It was born for one single purpose: To resonate with the
rhythm of Heavenly Dao.
When Dao Cầm sounds at the correct frequency, the
fourth-dimensional space is gently pierced. Accumulated grievances of thousands
of years in the dragon veins, historical knots, and remaining curses from
countless kalpas – all naturally dissolve. No need for suppression, no need for
pleas, only the absolute vibration of Truth and Central Harmony. That is how
music becomes a means of energy healing, as Teacher Phạm Hùng Sơn once
practiced in his field expeditions.
However, the greatest tragic melody of music does not lie in
the sound of the zither, but in the human heart.
When humans bring the ego into contact with Heavenly Music,
everything immediately distorts. The lofty frequency becomes a sharp blade.
Resonance turns into conflict. Harmony turns into chaos. The pure energy of the
Big Dipper, when falling into a consciousness still full of greed, anger, and
delusion, becomes too powerful for ordinary mortals to bear.
That is the root cause of all tragic melodies in music. It
is not Dao Cầm that causes disaster. It is the human heart that deviates from
the frequency of the Dao.
Those who use Dao Cầm to seek fame, to show off power, or to
satisfy desires ultimately bring ruin upon themselves. On the contrary, those
who know how to let go of the ego and reach the Central Fulcrum of Harmony,
even without holding the zither, can still make all things resonate.
The Creator crafted Dao Cầm not to test human talent, but to
test the heart. The zither is only a mirror. Whoever looks into it and sees
themselves is the one who truly hears the Music of Heaven.
SEVENTH MOVEMENT: CENTRAL HARMONY.
When a person forgets themselves, Dao Cầm remembers them.
When the human heart reaches clarity, sincerity, and
selflessness, that very person has become a living Dao Cầm.
Without needing strings, there is still music. Without
needing to pluck, there is still resonance. Without needing to perform, one can
still transform all things.
True music arises from the inner heart that has merged with
Heavenly Dao.
POSTLUDE.
The night is already deep.
The Big Dipper still quietly hangs in the extreme north, no
star added, no star missing. Dao Trì is still there. The Red Pine is still
there. Dao Cầm is still there.
Only humans… grow increasingly distant from the sound of the
zither.
They create ever more sophisticated musical instruments,
compose thousands of beautiful pieces, and travel the world seeking true
appreciators. But they forget that the first true appreciator is Heavenly Dao.
They forget that the Music of Heaven does not need to be played with fingers,
but only needs to be listened to with the heart.
If one day, amid a noisy and bustling life, you suddenly
hear a very deep, very profound silence…
Please do not hurry away. Stop for a moment. Who knows, that
may be the moment Dao Cầm is gently resonating in your heart.
A carefree child bends down, gently helps a worm crawling
across the path, then looks up with a clear smile.
In that very instant, no sound of the zither echoes, yet Dao
Cầm has gently resonated.
Not from Red Pine wood. Not from strings. But from the
Central Fulcrum of Harmony awakening in the human heart.
That is the Music of Heaven. That is the echo from the Big
Dipper homeland. That is the gentlest reminder:
Humans have never lost Dao Cầm. They have only forgotten how
to listen.
Please continue following the next article: ANALYSIS OF
108 ARTICLES ON THE OTHER SIDE OF THE FOURTH DIMENSION AND THE LAW OF THE
FULCRUM BY AUTHOR PHẠM HÙNG SƠN through the Lens of Hồng Bàng Dịch and the
Mission of Đức Di Lạc. ARTICLE 22: THE ORIGIN OF THE I CHING – THE LUO SHU
BELONGS TO THE VIETNAMESE PEOPLE.
Objective: To restore historical imprints and national
identity.
Thank you for following. Warm regards. Điện bà Tây Ninh.
Bài 1: Thầy Phạm Hùng Sơn – Người lữ hành cô độc bên kia chiều
không gian thứ 4.
https://www.youtube.com/watch?v=lNPB6YmOk44
Bài 2:
Bản chất của Chiều không gian thứ 4 dưới nhãn quan Hồng Bàng Dịch.
https://www.youtube.com/watch?v=koPMgc9mZMY
Article
2: The Nature of the Fourth Dimension Under the Lens of the Hong Bang I Ching.
https://www.youtube.com/watch?v=SHWkarp8uh8
第2篇：《鸿庞易》视界下的第四维空间本质.
https://www.youtube.com/watch?v=fpabqtKWDuU
Bài 3: Định luật Điểm tựa – Chiếc cầu nối giữa
Tâm thức và Vật chất.
https://www.youtube.com/watch?v=-wNP6Xswdxo
Article 3: The Law of the Fulcrum – The Bridge
Between Consciousness and Matter.
https://www.youtube.com/watch?v=epWiphVX_u4
第3篇：支点定律——意识与物质之间的量子铁桥.
https://www.youtube.com/watch?v=6FjHI8IQsus
Bài 4:
Khoảnh khắc vượt ngưỡng – Sự dịch chuyển của Hạt thần thức sau cái chết.
https://www.youtube.com/watch?v=abPSv45_cy0
Article
4: The Threshold Node – The Quantum Leaping of the Consciousness Particle
Post-Mortem.
https://www.youtube.com/watch?v=ReBbJJzT030
第4篇：跃迁临界点——死后神识微粒的量子跨维平移.
https://www.youtube.com/watch?v=RQ4ZvNAq7do
Bài 5: Phân tầng năng lượng Cõi âm dưới ánh
sáng Vật lý đa chiều.
https://www.youtube.com/watch?v=Luj59PssFdw
Lecture 5: Energy Stratification of the Astral
Realm Under the Light of Multidimensional Physics.
https://www.youtube.com/watch?v=UlxwINRVPt0
https://www.youtube.com/watch?v=PBO9IQWfdZw
第六講：因果規律與業力——從量子信息角度審視.
https://www.youtube.com/watch?v=-y87a0k9dW8
Lesson
6: The Law of Cause and Effect (Karma) and Karmic Force .
https://www.youtube.com/watch?v=kpNt4xeoXkQ
Bài 6: Luật Nhân quả và Nghiệp lực – Nhìn từ
góc độ thông tin lượng tử.
https://www.youtube.com/watch?v=B2o9qtgmqdk
Bài 7:
Bản chất của Thần thông, Áp vong và Gọi hồn qua Định luật Điểm tựa.
https://www.youtube.com/watch?v=FJul48fQ-Uc
Article 7: The Nature of Supernatural Powers,
Spirit Possession, and Soul Calling through the Fulcrum Law.
https://www.youtube.com/watch?v=eZ9hO58yqX8
第七篇：神通、壓亡、招魂的本質
https://www.youtube.com/watch?v=7KCHAbkms0c
Bài 8.
Âm trạch và dương trạch : Sự tương tác năng lượng giữa 2 bờ không gian.
https://www.youtube.com/watch?v=wSLWZVEpoqo
article
8 yin residence and yang residence: the
energy interaction between the two shores of space.
https://www.youtube.com/watch?v=bksJu4aQlaU
第八篇 – 陰宅與陽宅：兩岸空間之間的能量互動.
https://www.youtube.com/watch?v=1Uu8a6Vrs0Y7
Bài 9:
các nút thắt năng lượng và hiện tượng trấn yểm đất đai.
https://www.youtube.com/watch?v=s6ubesBifcQ
Article 9: energy knots and the phenomenon of
land suppression.
https://www.youtube.com/watch?v=BJYSeBc7udo
以下是《Bài 9》的完整繁體中文翻譯（盡量忠於原文風格與術語）
https://www.youtube.com/watch?v=DNferr5F4x8
Bài 10: Sự dịch chuyển từ Không gian 3 chiều
lên Không gian 4 chiều của Nhân loại.
https://www.youtube.com/watch?v=0RkM08VfrkQ
Article
10: Humanity’s Shift from 3-Dimensional Space to 4-Dimensional Space.
https://www.youtube.com/watch?v=bS7NiPHA2jE
Bài
11: Năng lượng gốc và vai trò của các đấng vô hình trong kỷ nguyên mới.
https://www.youtube.com/watch?v=x7k0ScrIsFM
Article
11: Primordial energy and the role of invisible beings in the new era .
https://www.youtube.com/watch?v=w9cJEZ9nLyo
第11篇：根源能量與新紀元中無形尊者的角色.
https://www.youtube.com/watch?v=XGISD3iRENM
Bài 12:
Hiện tượng Luân hồi, Tái sinh dưới lăng kính Dịch lý tối cổ.
https://www.youtube.com/watch?v=mMVVuEz-0cY
Bài 13:
Giải mật những giấc mơ và sự truyền tin xuyên không gian.
https://www.youtube.com/watch?v=4FH7M8GMFaQ
第13篇：解密夢境與跨越空間之傳訊.
https://www.youtube.com/watch?v=f7P6vi-zV9k
Article 13: Deciphering dreams and
interdimensional transmission across space.
https://www.youtube.com/watch?v=BZFG6yb__A4
Bài 14: Tư tưởng (tâm) quyết định vật chất – sức
mạnh của định luật điểm tựa tư duy.
https://www.youtube.com/watch?v=NLuFKcG6eH8
Article
14: Thought (mind) determines matter – the power of the law of the fulcrum of
thinking.
https://www.youtube.com/watch?v=B0fd_GJl-GU
第14篇：思想（心）決定物質——支點定律思維之力.
https://www.youtube.com/watch?v=wc1pFl2q03E
Bài 15:
Vai trò “địa linh nhân kiệt” của long mạch Việt Nam trong đại cuộc mới.
https://www.youtube.com/watch?v=pwfQVZvLG6c
Article 15: The Role of Vietnam’s Dragon Veins
as “Sacred Land – Talented People” in the Great New Transition.
https://www.youtube.com/watch?v=b7HZc_I6WoI
第15篇：越南龍脈在偉大新轉型中「地靈人傑」之角色.
https://www.youtube.com/watch?v=pnVUNnVkIXQ
Bài
16: Phương pháp thanh lọc thân tâm và tự vệ năng lượng trước cõi vô hình.
https://www.youtube.com/watch?v=vqh_HFn1BkM
Article
16: Methods of Purifying Body and Mind and Protecting Energy Before the
Invisible Realm.
https://www.youtube.com/watch?v=Egf2mlPIrRk
第16篇：淨化身心與面對無形界之前的能量自衛方法.
https://www.youtube.com/watch?v=H0ZpIqeOO-g
Bài 17:
Những cảnh báo từ thế giới bên kia về tương lai nhân loại.
https://www.youtube.com/watch?v=tAM-GDUYv8o
Article 17: Warnings from the other world
about the future of humanity.
https://www.youtube.com/watch?v=8xTLb3jkUrQ
第17篇：來自彼岸世界對人類未來的警示.
https://www.youtube.com/watch?v=JyFXCe2VM10
Bài 18: Sự giao thoa vĩ đại – khi Hồng bàng dịch, vật lý đa
chiều và Sứ mệnh đức Di lặc gặp nhau ở điểm tựa vũ trụ.
https://www.youtube.com/watch?v=C-w6-E43dTY
Article 18: The Great Convergence – When Hồng Bàng Dịch,
Multidimensional Physics, and the Mission of Maitreya Buddha Meet at the Cosmic
Fulcrum.
https://www.youtube.com/watch?v=_3q9j5uHKHI
第18篇：偉大的交融——當紅庞易、多維物理學與彌勒佛使命在宇宙支點相遇.
https://www.youtube.com/watch?v=kvFl-D66Hv0
Bài 19: Khép lại vòng tròn chân kiềng – khai mở kỷ nguyên mới
của tâm thức Việt.
https://www.youtube.com/watch?v=ze2Mn5F7LWc
Article 19: Closing the circle of the three-legged cauldron
– opening a new era of Vietnamese consciousness.
https://www.youtube.com/watch?v=rcf77JKok2s
第19篇文章：閉合三足鼎之圓 – 開啟越南心識新紀元.
https://www.youtube.com/watch?v=BZpTGivkDWw
Bài 20: Hội long hoa – Kỳ thi đầu tiên của tam kỳ.
https://www.youtube.com/watch?v=JvN5zJDYpoA
Article 20: The Long Hoa Assembly – The First Examination of
the Third Era.
https://www.youtube.com/watch?v=4ONFKHrcSMs
第20篇：龍華會 – 三期首試。
https://www.youtube.com/watch?v=DBTOA5V943U
Bài 21. Oan khúc âm nhạc và bí mật Dao Cầm.
https://www.youtube.com/watch?v=_23ZE_Mk9iU
ARTICLE 21: THE TRAGIC MELODY OF MUSIC AND THE SECRET OF DAO
CẦM. The Symphony of Heavenly Dao.
https://www.youtube.com/watch?v=oNrTpXex4_U
第21篇：音樂的冤曲與瑤琴的秘密 天道的交響曲.
https://www.youtube.com/watch?v=GrFkYpSR4Nk
Bài 22. Nguồn gốc Kinh dịch – Lạc thư thuộc về người Việt.
https://www.youtube.com/watch?v=3mkqfyZqHrY
ARTICLE 22. THE ORIGIN OF THE I CHING – THE LUO SHU BELONGS
TO THE VIETNAMESE PEOPLE.
https://www.youtube.com/watch?v=UzoP1mKeqsQ
第 22 篇。易經之起源——洛書屬於越南人。
https://www.youtube.com/watch?v=0xcI7gZg3O4
Bài 23. Nút thắt năng lượng và nghệ thuật hóa giải.
https://www.youtube.com/watch?v=iHKwyw_XypQ
ARTICLE 23: ENERGY KNOTS AND THE ART OF DISSOLVING TRẤN YỂM
(SUPPRESSION SEALS).
https://www.youtube.com/watch?v=IWmBvWfppLo
第23篇：能量結與化解鎮壓的藝術.
https://www.youtube.com/watch?v=C06DzGZ3eCQ
Bài 24. Sứ mệnh dân tộc Việt trong kỷ nguyên mới ( Tổng kết
phần 3 ).
https://www.youtube.com/watch?v=XzGDWjnQTS8
Article 24: the national mission of vietnam in the new era
(summary of part vii).
https://www.youtube.com/watch?v=hoe7s7HUs5I
第24篇：新紀元越南民族之使命（第七部分總結）.
https://www.youtube.com/watch?v=K2EKJPSxQZ0
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